What I like about Layer Cake is its intelligent through-line. First of all, I think it's very close to the truth; I think this is what successful drug dealers are like. They don't drive around in flashy cars, they don't show off, they behave very quietly, they get on with their job and they earn lots of money. And it goes up and up and up and up the scale. Secondly - and selfishly - I like the moral aspect of the movie, which is that violence has consequences, and you feel emotionally involved with the violence.

Philip is being very vocal about it. For me, I don't think the story isn't at all anti-religious in any way. I think what's it more against is the control and the misuse of power that any organised religion, or any political organisation exercises over the people they're supposed to represent. I think that, for me, is what's important in the movie.

I'd like to see (the films) go back to the books. I think (the films) need to be dirtier. I think that you should feel the man playing Bond could die at any moment. You don't feel that any more.

Well the thing is, once you have a snow leopard it's difficult to go back. Everything is going to be slightly disappointing. It's very telling what your choice would be. Because that's probably how you see yourself. We used to play that game as kids and you'd say if you were animal what would you be and it'd usually be the opposite of what it should be. But all animals have got their virtues. You know, cockroaches got virtues.

I can't go to war with paparazzi.

Anybody can leap off a building.

When you're making movies you've got to get obsessive.