I always think it's silly when people talk about works of culture taking risks. Because there's not any risk involved.

My work is very dear to me, and certainly I have had all the emotional highs and lows that go with trying to get it to an audience. But I do have some kind of detachment that seems somewhat unusual in my trade. I'm a writer who writes every day. I don't have a period of months where I can't get anything done and I wander around tearing my hair out. When I come back from a book tour, for instance, I might have one day where I sleep late and then check my e-mail, and then go for a walk, and then the next day I'm really itching to get back at writing a story.

Chestnuts in stuffing tastes like someone chewed up a tree branch and then French-kissed it into your mouth.

It looked exhausting and pointless, two things that should be avoided at all costs

I think I’ve always believed that there is one person in the universe who you’re truly meant for–for whom you are truly meant–and the fact that sometimes there are two or even more people on the earth you can fall in love with really bothers me. It suggests that if you work hard you can be meant for anyone.

Death is something you cannot escape, such as death, or a cheesecake that has curdled, both of which always turn up sooner later.

We are all told to ignore bullies. It's something they teach you, and they can teach you anything. It doesn't mean you learn it. It doesn't mean you believe it. One should never ignore bullies. One should stop them.