The Violins waltzed. The Cellos and Basses provided accompaniment. The Violas mourned their fate, while the Concertmaster showed off. The Flutes did bird imitations…repeatedly, and the reed instruments had the good taste to admire my jacket. The Trumpets held a parade in honor of our great nation, while the French Horns waxed nostalgic about something or other. The Trombones had too much to drink. The Percussion beat the band, and the Tuba stayed home playing cards with his landlady, the Harp, taking sips of warm milk a blue little cup. “But the Composer is still dead.

For obvious reasons, I never told you about my notebook, with a cover as green as mansions long ago, which I use as a commonplace book, a phrase which here means 'place where I have collected passages from some of the most important books I have read.

Everyone on earth would never starve and forever find love and happiness, since we won, but if we’d lost, they would have gouged out our eyes and thrown us naked onto hot coals and poisonous snakes for all the cheering and hugging at the end, strangers hugging like the end of The Omega Virus when Steve Sturmine finds the antidote.

As I am sure you know, when people say 'It's my pleasure,' they usually mean something along the lines of, 'There's nothing on Earth I would rather do less.' [...]

You must be all a-tingle with excitement.' 'I guess so,' I said, but I did not feel a-tingle. I did not feel a-anything.

Opera was an enormous part of my childhood. My parents were both opera buffs, and they met in the box seat of an opera performance. And I also was a boy soprano, so before puberty hit, I was onstage playing a wide variety of orphans and urchins in all sorts of operas, and the sheer melodrama of their stories was just always appealing to me.

A bolt from the blue.