The Spiral Gallery may happen, too. It is not dependent on government funding.

And of course I like Berlin a lot. It's such an interesting city

Larry wanted us to reposition the tower. We wouldn't, and won't. He's been holding back our fees. We want to get paid. And that's it. It'll get solved and we'll carry on with planning Ground Zero.

It's about how to bring together the seemingly contradictory aspects of the memorial, which is about a tragedy and how it changed the world, but also about creating a vital and beautiful city of the 21st century.

Call Berlin. Drop everything we're doing. I have a complete vision of what should be.

The truth is, the way you write music, it's a code. It has to be very precise. It's scientific, but ultimately it also depends on interpretation. It's very similar to how you grow a master plan: it's an objective document, but at the same time it is a lyrical document which allows through interpretation to become a harmonious work of art.

Only through acknowledgment of the erasure and void of Jewish life can the history of Berlin and Europe have a human future.