Some actresses are just insane. I've never worked with a nasty actress - they're all absolutely delightful. But completely barking.

I think it's useful, as a famous person, to have as little separation between the perception of you and how you really are - because otherwise I'd be sitting here thinking I'm keeping secrets, and wondering when you're going to find out.

There were some parts of the film [Swiss Army Man] that the Daniels [Kwan and Scheinert] really wanted to look as elegant as a piece of ballet. As Hank and Manny go on in the story, they get better and better at being with each other and more and more adept - Hank knows more and more what Manny's going to need at any given point, and having that choreography helps a bit.

I don't know why that is, but English politics is just so overly white. It's very much about the class structure.

We would choreograph [ with Paul Dano] before each scene [in Swiss Army Man] and very quickly got to a place where we could improvise physically in scene and know that the other person would respond in character appropriately. So that [dynamic] was a lot of fun.

I'm very proud of being Jewish. It means I have a good work ethic, and you get Jewish humour and you're allowed to tell Jewish jokes.

How irritating it must be for people, to be bombarded with me!