Once Now You See Me proved that that tone could work, which I'm sure was a nightmare for them in post - is this too serious? Do we have to say that magic really does exist or not? - I can take that and have fun with the tone that they established.

Franchises aren't to be avoided. They can be exciting, and they give you opportunities to do other films.

Obviously, I've been very lucky in general in my career, but I feel that I've been very lucky in terms of having directors come along at the right times who have taken me to the next level of where I needed to be.

We would choreograph [ with Paul Dano] before each scene [in Swiss Army Man] and very quickly got to a place where we could improvise physically in scene and know that the other person would respond in character appropriately. So that [dynamic] was a lot of fun.

I always feel that if you put me in a room with a director and a writer and let me talk about the script, I can give a good account of myself.

I'm not clumsy, I'm just accident prone.

I'm getting better now, but I used to be incredibly awkward with girls. I think any guy who says 'I've never had an awkward moment with a girl' is a liar.