We would choreograph [ with Paul Dano] before each scene [in Swiss Army Man] and very quickly got to a place where we could improvise physically in scene and know that the other person would respond in character appropriately. So that [dynamic] was a lot of fun.

[I] take inspiration from kids. ... They're very honest in how they act and how they are in the world.

I'm 5-foot-5, and I'll wear a big parka and put the hood up, and nobody gives me a second glance.

Dane DeHaan, certainly, is kind of the best friend I've made through acting, in terms of another actor. He's fantastic.

I certainly want to establish myself as an actor in my own right, rather than being just the actor who plays Harry Potter.

What first attracted me to doing Swiss Army Man was just how mental it was - how insane and wonderful and original the script was.

The art world can be very intimidating because it's just so vast. You talk to people who are really clued in to all the young artists and coming into it you're never going to be able to catch up immediately, even though there's pressure to.