We would choreograph [ with Paul Dano] before each scene [in Swiss Army Man] and very quickly got to a place where we could improvise physically in scene and know that the other person would respond in character appropriately. So that [dynamic] was a lot of fun.

I think it's kind of great, to be honest. I'll never do another film [like Swiss Army Man] where I get to talk about those things, so I might as well enjoy it while I can.

[I] take inspiration from kids. ... They're very honest in how they act and how they are in the world.

I have quite a rich inner life, and I'm constantly looking for a way to express that. I haven't found it yet in acting. When you're playing a character, you're only going to find outlets for very specific parts of your inner world.

Ironing boards are a classic example of something I find horrible about modern society: the excitementation, for want of a better word, of mundane things.

As far as I can tell, most actors' main motivation is self-doubt and neuroses.

The sixth Harry Potter film - I don't like my performance in that film at all.