I used to be self conscious about my height, but then I thought, f*** that, I'm Harry Potter.

I'm not clumsy, I'm just accident prone.

We would choreograph [ with Paul Dano] before each scene [in Swiss Army Man] and very quickly got to a place where we could improvise physically in scene and know that the other person would respond in character appropriately. So that [dynamic] was a lot of fun.

Every day I would come to set [of Swiss Army Man] going like, "How are we going to do this?".

I haven’t always been thrilled with my work. But the fear of not proving the people wrong who think you can’t emerge from a franchise and do well, that’s a very strong driving force.

With any kind of artistic thing, it's a muscle, like any athlete, and the moment you're not doing it, you lose all confidence. That's why I'm terrible with down time.

I know me, and I know that I'm not somebody that particularly merits a lot of screaming and shouting. And there's nothing special about me as opposed to hundreds of thousands of other people everywhere.