There were some parts of the film [Swiss Army Man] that the Daniels [Kwan and Scheinert] really wanted to look as elegant as a piece of ballet. As Hank and Manny go on in the story, they get better and better at being with each other and more and more adept - Hank knows more and more what Manny's going to need at any given point, and having that choreography helps a bit.

As an actor, there is room for a certain amount of creativity, but you're always ultimately going to be saying somebody else's words. I don't think I'd have the stamina, skill or ability to write a novel, but I'd love to write short stories and poetry, because those are my two passions.

It's very rare that I get stopped or get asked for an autograph or anything - none of which I mind - but people don't really care that much.

We would choreograph [ with Paul Dano] before each scene [in Swiss Army Man] and very quickly got to a place where we could improvise physically in scene and know that the other person would respond in character appropriately. So that [dynamic] was a lot of fun.

What first attracted me to doing Swiss Army Man was just how mental it was - how insane and wonderful and original the script was.

To the children who loved Harry Potter, I want to say your enthusiasm was the real magic. I so enjoyed being on the journey with you. And to the adults who bought the Harry Potter books and devoured them, I just want to say, those books were for children.

I am very critical! I hate watching myself but I know I have to because I'm going to be asked so I need to have some sort of semblance of what the films with me are like. But it's not an enjoyable experience watching yourself. I hate it less than I used to but I still don't enjoy it.