There were some parts of the film [Swiss Army Man] that the Daniels [Kwan and Scheinert] really wanted to look as elegant as a piece of ballet. As Hank and Manny go on in the story, they get better and better at being with each other and more and more adept - Hank knows more and more what Manny's going to need at any given point, and having that choreography helps a bit.

Religion leaves no room for human complexity.

It's interesting for myself, growing up as an Asian-American filmmaker. Coming into the industry, my parents always said, "No one's going to give you the opportunity. You just have to do the work. Be better than everyone else, so they can't deny it."

There is something inherently valuable about being a misfit. It's not to say that every person who has artistic talent was a social outcast, but there is definitely a value for identifying yourself differently and being proud that you are different.

My taste in the films I've taken as an actor is similar to what I'd do a director or writer: all quite odd, challenging stuff, slightly off-the-wall.

A gay murder movie is never going to be, like, breaking box office records.

As an artist, you have a path that you're on that evolves with the kinds of stories you want to tell.