Actors are steeped in a world of agents and where the next job is coming from and what are their expenses and what is the hotel like. You want to take them out of that world and dump them into another world, so that when you meet them on the screen they don't seem like the guy who was in two others movies that year.

To force yourself out of the comfort zone, the main ingredient is trying to work in a world where you haven't been before, that you don't know the rules of. And that involves a lot of research, so you begin to see where the other people have been, but you are starting from as vulnerable and as low a point as possible.

I tend to score with songs from Western pop music.

I'd love to do a modern-day musical that's full of original music. To get your contemporaries to sing and dance without looking foolish and for it to be transformational and magical and all those things a musical is supposed to be.

If I was single and did not have kids, I wonder whether if I would try as hard to be patient, to mind how I react to situations. Not saying people who do not have children don't, but in my life and how I fight against doing the things that have positive impact in my life...I think I would find it easier not to practice the principles did I not have children.

There is a Steve [Jobs] that Apple would like to actually present to the public. They have a character, Steve, and they want to keep that story going. And it's very important that writers challenge that occasionally and not just trust their parent companies to tell them.

The perfect equation is form equals content. The style of the film reflects the story, and that's what you're always aiming for. You're not always necessarily successful at it, but that's the ambition that you're trying to do.