I always think, when there's stuff that people don't like, I always say that if I have another success, I'll enjoy it more, but you don't really.

As soon as you think you can do whatever you want and you have whatever great professional in the world waiting to work with you, then you are sunk.

You use elements of noir, but you don't want it to be too noir-ish. You don't want it to be advertised as though you're asking people to go and watch an updated noir. I don't think they'll go do that. They want to see a modern story.

We want to see drama told in a cathartic way, with power, with emotion where you empathize and then you're frightened. All those feelings charge up in you and you feel for the story.

The problem with being British... I don't know if it's me being British or being raised a strict Catholic, but you never really enjoy success.

I dont see much difference between it and the other films though I can see on a rational and intelligent level there is a big difference.

To create the reality of space with this sense of suspension: nothing's happening, it's endless; we're traveling at 28,000 kilometers an hour but nothing's happening. Nothing! And you have to do that! There are all these rules you have to follow, I've never known anything like it.