Every day of my life I walk with the idea that I am black, no matter how successful I am. And our success is tempered by that; you're successful in this way given the fact you are black, and most blacks don't get to that point.

My Toussaint [Louverture] film is in limbo. We still hope after all this time that we can find another way to get this film done.

The civil rights movement didn't deal with the issue of political disenfranchisement in the Northern cities. It didn't deal with the issues that were happening in places like Detroit, where there was a deep process of deindustrialization going on. So you have this response of angry young people, with a war going on in Vietnam, a poverty program that was insufficient, and police brutality. All these things gave rise to the black power movement. The black power movement was not a separation from the civil rights movement, but a continuation of this whole process of democratization.

I was able to do To Sleep with Anger, a very powerful film about African Americans, their spirituality, and the things that happened within a small community and a family.

Im a child of the Civil Rights Movement.

I remember when Langston Hughes used to write a column in black newspapers around this character Jesse B. Semple. He always used that as a voice, sometimes in comic ways, of having everyday people's voice come through this common folk hero, who was an ordinary working guy. He would talk about anything from police brutality to the Korean War. Those kinds of expression and identification are no longer prevalent in our popular culture.

Every day of my life I walk with the idea that I am black, no matter how successful I am. And our success is tempered by that; you're successful in this way given the fact you are black, and most blacks don't get to that point.