I want people with epilepsy to know that there are ways in which they can play a role in their own recovery. It's all in how they approach what is happening and how they can use that as a catalyst for their own growth. If there's one thing that I've learned, it's that people are willing to embrace you if you share your story.

Some of these things I saw in foreign films - African films, Cuban films - long before I decided to really go on this course as an actor. I started to think about what values I saw in those films that I wanted to bring to my projects

The Second Amendment comes from the right to protect themselves from slave revolts, and from uprisings by Native Americans. A revolt from people who were stolen from their land or revolt from people whose land was stolen from, that's what the genesis of the Second Amendment is.

We have to be that wedge that drives the question and asks the hard questions

The world is dealing with issues of immigration, deindustrialization, and poverty.

There are things that make me excited about what I'm doing: Trouble the Water [the 2008 documentary Glover executive produced] on New Orleans, or something like Soundtrack for a Revolution, about the power of the music of the civil rights movement [which he executive produced in 2009]. Or Bamako, about the African debt crisis, a platform to discuss the experience of people who actually live it. All of these are important ways we can use film as a forum inviting people into a dialogue.

It's important for people of color to link up with issues around globalization, food security, health, the environment.