The Second Amendment comes from the right to protect themselves from slave revolts, and from uprisings by Native Americans. A revolt from people who were stolen from their land or revolt from people whose land was stolen from, that's what the genesis of the Second Amendment is.

I've always been able to make choices that don't embarrass me.

I didn't elect [Barack] Obama because he's a black; I voted for Obama because he was the right person at the time.

Remember, we're talking [in The Black Power Mixtape] about 1967, the year before [Martin Luther] King's assassination. We're talking about the emergence of black power, which is a discussion King mentioned in his last book, Where Do We Go from Here: Chaos or Community? We're talking about the meaning of black power and the possibility that it alienated our supporters, both white and black.

There are things that make me excited about what I'm doing: Trouble the Water [the 2008 documentary Glover executive produced] on New Orleans, or something like Soundtrack for a Revolution, about the power of the music of the civil rights movement [which he executive produced in 2009]. Or Bamako, about the African debt crisis, a platform to discuss the experience of people who actually live it. All of these are important ways we can use film as a forum inviting people into a dialogue.

Im a child of the Civil Rights Movement.

Kids made fun of me because I was dark skinned, had a wide nose, and was dyslexic. Even as an actor, it took me a long time to realize why words and letters got jumbled in my mind and came out differently.