Mortal City was really influenced by geography. [The song] "The Ocean" is the Pacific Northwest. Southern California and New York also figure into songs, and Iowa. "February" is very much about New England. "Mortal City" is Philadelphia. The whole album is this anthropomorphized landscape where the metaphors live in this geography.

I think music is another language.

For my 50th birthday I just want to make it all make sense [being exactly half introvert], and then a couple of weeks later do the blow-out with all my friends.

What was nice about the nineties is that it was an example of music that responded to a desire of the times. It spoke to the social conditions of the times. Women were making more money. Women were saying, "My voice counts. If we're going out on a Friday night, I don't want to see a Rambo movie. I want to go see a singer/songwriter who sings about my life".

If you're lucky you find something that reflects you, Helps you feel your life, protects you, Cradles you and connects you to everything.

There was this moment in 2003 when I was asked to do a fundraiser for someone who was speaking out against the Iraq war when nobody was. I said, "I will do a fundraiser for that guy." And then my friend John Hall, from the band Orleans...He ran for Congress in my district and won. I did a bunch of fundraisers for him.

I spent a year pulling all-nighters and driving around in a really tiny fuel-efficient car relying on the kindness of strangers and seeing this incredible range of landscapes throughout the United States. That's what happened with The Honesty Room. It was a huge night and day switch.