...we're all in a soup of trying to live by words, and trying to live by poetry. It's both humbling, and really flattering to know that my words are part of all that.

I would push for more production and Steve Miller would say, "Why do you want to have more production when you have real songs? You don't want to cover up the song."

I started going out with one of my managers and he really grew me up in a lot of ways. He introduced me not just to being a full-time traveler, which I was, but he was also really very interested in history and art and continued to open my eyes up to regional history; less splashy histories. He was interested in historical societies and stuff like that. He introduced me to a way of looking at the way communities form that is the foundation for the book that I've just finished writing that has to do with what I see as effective community-building wherever I've been traveling.

I came out of that and said I don't want to go back to feeling depressed. So I asked myself, what can I be optimistic about, in terms of the course of the planet? And I discovered there was no end to the optimism I felt.

God looks like a guidance counselor, God's got that smile. God says, 'How could this be? That's really odd I guess I'll have to check my records, silly me, you know, I'm only God.'

I am happy to do political fundraisers. I always hope that my friends will be, too. It's part of who you are and you shouldn't feel ashamed of what you believe in.

I remember doing "As Cool As I Am" and Steve Miller, the producer, saying "I really hear a drum loop here. I want to play it for you." When I wrote it, I thought, "This isn't going to sound very folky. I don't think it's going to go with mandolins and banjos." Then he played the loop for me and it sounded right.