I would encourage people to bridge broadly and creatively in their communities, not just because that creates the most fun and resiliency, but also because it creates the most points of access for people to be part of the community, which is what democracy is at its best.

I fear that to fall in love with you is to fall from a great and gruesome height.

Youll almost encounter a superstition amongst musicians, people sort of go through strange rituals, what they need to do to write a song.

There's a marketing scheme that tells you that pregnancy and child rearing will make you into a moron, that your kids are only happy when you're buying them stuff. It's hard being a parent, but I laugh a lot and smile a lot and really enjoy it. The ratio of laughter to sadness is higher. There's part of me that wants to broadcast that. Parenting only affirmed what I already cared about, and that's good.

The rest of the songs on the album [Mortal City ] have spare arrangements on them. Steve [Miller], really loved that. He'd just come off of a project with someone who basically had to mask the fact that there were no songs there with production. He said, "Oh, my God, you have real songs here!"

A lot of men were also becoming more attuned and less afraid of women [in the nineties ].

What happened on "As Cool As I Am" was, you know how in the `90s, "the personal is political, the political is personal"? That was a really big thing. Choices you made about how you recorded and what instruments you used and how much real versus how much synthetic. Those were choices that were seen as very political at the time.