There's always the day where you do the effort noises, so there's a lot of grunts, huffing and puffing, pretending like you're hopping over things, pretending like you're getting hit, and pretending like you're kicking. If any of that was recorded, it's some of the silliest stuff I'll ever do, as an actor, but it's fun and liberating, in a way, 'cause no one can see me. I videotape myself doing it sometimes, to send to my friends just to remind us how ridiculous our jobs are.

I'm a tough critic on myself.

When I'm improvising, I'm out of my head. I've done a lot of projects recently where there hasn't been a script. It's all been based on outlines. At first, that's terrifying, just because you don't have the words in front of you and you don't know how it's going to come out, but that's what's really exciting about it. You don't know what's going to happen. It really forces you to listen to the other people, and I think the most natural acting comes out of that.

To be honest, I don't see myself acting forever. I just can't imagine myself being a 70-year-old man fighting for roles. I would love to do small parts in my friends' movies or things that I'm directing myself. I do envision myself behind the camera as I get a little bit older.

I don't just wanna be James Franco's little brother.

I wish I were that cat.

Once a week I would meet up with the coolest teacher and we'd go over my work. All my friends were like, Soooo... once a week at lunch you meet up with Mr. Schulenberg to talk about poetry. They all thought I was having sex with my teacher. But I really just loved to write and it was a nice outlet.