There's so much more freedom in film as far as subject matter and what can be said. And then, also, the process is different because there's more time. On movies there's just so much freedom and space to explore in front of the camera.

I don't just wanna be James Franco's little brother.

With these Funny or Die videos, I do everything for them. I write them, act in them, and co-direct them with my buddy Brian McGinn, who I grew up with. We also edit them together. We're working on a small scale of Internet videos, but we're slowly trying to make them become a bigger thing.

Recently I've been looking for something new. The past few projects I've worked on, I keep getting cast as the asshole. I promise I'm a nice guy and not the asshole that everyone keeps seeing.

What I realized with Funny or Die is that I could take it into my own hands. On a much smaller scale, I think these videos are an accurate representation of who I am. As weird as they may be, I'm at least proud of them, and it showed that I do have a slightly different voice. I can't tell you how often people bring up these videos in interviews, and I'm so happy to talk about them because we created them from the ground up.

When I'm improvising, I'm out of my head. I've done a lot of projects recently where there hasn't been a script. It's all been based on outlines. At first, that's terrifying, just because you don't have the words in front of you and you don't know how it's going to come out, but that's what's really exciting about it. You don't know what's going to happen. It really forces you to listen to the other people, and I think the most natural acting comes out of that.

I wouldn't be where I am without these Funny or Die videos in general. When I was first starting out, I would take roles just to get the experience, but not exactly because I believed in the projects I was doing.