The late '60s and the '70s, a lot of this really beautiful equipment was being made and installed into studios around the world and the Neve boards were considered like the Cadillacs of recording consoles. They're these really big, behemoth-looking recording desks; they kind of look like they're from the Enterprise in Star Trek or something like that. They're like a grayish color, sort of like an old Army tank with lots of knobs, and to any studio geek or gear enthusiast it's like the coolest toy in the world.

When I listen to music these days, and I hear Pro Tools and drums that sound like a machine - it kinda sucks the life out of music.

I had never been in charge of anything. I'd always worked for someone. I worked for a furniture warehouse. I did masonry. I always had a boss yelling at me. So I'd never been in charge of an organization.

I'm not like a voracious hoarder who has 50,000 albums of vinyl stacked in a storage space in the San Fernando Valley. But I do have albums from the last 40 years of my life.

'Some Kind Of Monster' is such a nightmare for any musician to watch because you're watching a band be honest to each other. Not a good idea, man!

I think maybe what happened was the convenience of technology overshadowed the experience of holding an album in your hands, and sitting on your bedroom floor, and staring at a picture of John Lennon or Gene Simmons or Johnny Rotten. That tangible experience can sometimes become an even more emotional experience, because it's really happening.

I'm told that my blood sugar level was twelve times the legal limit - I was sweating honey.