Barry Manilow was very special for me. We've had many collaborations since then and all have been equally rewarding and musical. I've learned so much from him. I like being a student around him; observing him in his environment.

I would never say no to that [marriage] . It hasn't been my path up to this point. I think it would be nice to look forward to that. Meeting somebody of that caliber of "Yes, I want to spend my life with you." Of course, why not. I love the fact that that is legal in every state.

I'd probably end up doing the same thing over and over. We're creatures of habit. We know what we know. With collaboration...and I'm not just talking about music, I'm talking about in life - if you're a good listener and you have your ears open, and to be a good collaborator you have to be able to listen, you can learn something from somebody else.

Alan Menken, for example, is one of my heroes for all of the music he's written for Disney.

You have to be willing to get back on that horse and try it again if the mood strikes. That was one of the great pieces of wisdom that I got early on in my career in terms of being blocked. If you get to a creative roadblock, you can sit there and rack your brain.

I love a lot of the young, new artists who are coming up, including Adele. I suppose anybody would freak out to work with her. To be able to play a saxophone solo on one of her songs would be the most ultimate thing ever.

That's the beautiful thing about the saxophone. It can peacefully coexist with just about anything - whether it's hip-hop, rap, rock music, pop, R&B or jazz, there's a place for the saxophone in all of those styles.