My way of thinking is very particular and concrete. It doesn't follow a continuous path.

I was very committed to the process of composing, working at poems, putting things together and taking them apart like some kind of experimental filmmaker.

There are editing procedures for talks just as there are editing procedures in jazz improvisation.

My way of thinking is very particular and concrete. It doesn't follow a continuous path.

Stories are different every time you tell them - they allow so many possible narratives.

I'm not sure what theory is, unless it's the pursuit of fundamental questions.

I reserve the right to tell shaggy dog stories or even common jokes as part of what I'm doing. I don't give a damn if half the audience walks out.