While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht.

My way of thinking is very particular and concrete. It doesn't follow a continuous path.

The self is an oral society in which the present is constantly running a dialogue with the past and the future inside of one skin.

From this entertainment industry, may the gods of language protect us.

I'm not sure what theory is, unless it's the pursuit of fundamental questions.

I was trying to find out what it was that everybody else understood without giving up my stubborn and hard-won lack of understanding.

There are editing procedures for talks just as there are editing procedures in jazz improvisation.