It is actually a lot harder to sit down and write from A to Z. But for me at least, it's the only way I can do it, at this point, with any moderate success.

I think, in a weird way, the reason I was drawn to screenwriting and the reason I really love doing it is because I love writing dialogue.

‎I was cursed with the pessimism of both the Russians and the Jews two of the gloomiest tribes in the world. Still if there wasn't greatness in me maybe I had the talent to recognize it in others even in the most irritating others.

I was like a well trained pianist who knows which note to hit, but can't make the music his own.

Talent must be a fanatical mistress. She's beautiful; when you're with her, people watch you, they notice. But she bangs on your door at odd hours, and she disappears for long stretches, and she has no patience for the rest of your existence; your wife, your children, your friends. She is the most thrilling evening of your week, but some day she will leave you for good. One night, after she's been gone for years, you will see her on the arm of a younger man, and she will pretend not to recognize you.

I never understood people who said their greatest fear was public speaking, or spiders, or any of the other minor terrors. How could you fear anything more than death? Everything else offered moments of escape: a paralyzed man could still read Dickens; a man in the grips of dementia might have flashes of the must absurd beauty.

Truth might be stranger than fiction, but it needs a better editor.