Every time something bad happens, like we lose a day because of weather or an actor gets injured or anything else happens, the schedule has to change. It's the most challenging Tetris puzzle.

Showrunner I admire: Weiss: "All friendship bias duly acknowledged: Rob McElhenney and the guys at 'It's Always Sunny in Philadelphia' have been doing their show for longer than any live action comedy. To make something that consistently great for that long, and to keep it fresh ... I think that's a tremendous accomplishment.

That is the way we decided to talk, free and easy, two young men discussing a boxing match. That was the only way to talk. You couldn't let too much truth seep into your conversation, you couldn't admit with your mouth what your eyes had seen. If you opened the door even a centimeter, you would smell the rot outside and hear the screams. You did not open the door. You kept your mind on the tasks of the day, the hunt for food and water and something to burn, and you saved the rest for the end of the war.

I'll tell you a secret. Something they don't teach you in your temple. The Gods envy us. They envy us because we're mortal, because any moment might be our last. Everything is more beautiful because we're doomed. You will never be lovelier than you are now. We will never be here again.

This wasn't the way I had imagined my adventures, but reality ignored my wishes from the get-go, giving me a body best suited for stacking books in the library, injecting so much fear into my veins that I could only cower in the stairwell when the violence came. Maybe someday my arms and legs would thicken with muscle and the fear would drain away like dirty bathwater. I wish I believed these things would happen, but I didn't.

I think, in a weird way, the reason I was drawn to screenwriting and the reason I really love doing it is because I love writing dialogue.

Truth might be stranger than fiction, but it needs a better editor.