I think even with women who come across with a tough exterior, the interior is the same. I think you'll find this with women around the word: some women, because of their circumstances, are forced to be tougher, forced to cultivate tougher exteriors.

If the fidelity [ in a book] isn't maintained, the reader will think your structure is extraneous, or superficial, or that you're trying to curry favor, or live up to the expectations of some sort of genre or structure.

In my experience of women, women have a greater capacity. Maybe women, even very pragmatic ones, are less guarded about showing emotions.

Maybe the most provocative thing one can do - and I'm not the first one to do it - is to ask the moral and philosophical question: why are some people better than others? Why are some people more moral than others?

Writing a novel, in an unplanned and unpredictable way, makes you engaged; it takes you into yourself, and it becomes something between you and the character for a moment, and then you move back into the structure of the book. I love those moments, because they are completely unbidden.

It's not for the writer to say whether the thing is successful or not.

We all have some ideological quotient in ourselves. And I think it does guide who we are.