I think ex-Soviet or Russian-Jewish women are tougher and that comes through. And if they are more pragmatic than the men, it's because they are obliged to be. They have all the female responsibilities and all the male responsibilities.

Writing a novel, in an unplanned and unpredictable way, makes you engaged; it takes you into yourself, and it becomes something between you and the character for a moment, and then you move back into the structure of the book. I love those moments, because they are completely unbidden.

When you write a book, you want to have fidelity to the character. Characters and their emotions guide the structure of the novel. The author is aware that there's a certain amount of information she/he has to provide in order to satisfy the reader, knowing that she/he has set something up that must be paid off, but this payment must be made while maintaining fidelity to the characters.

Amity Gaige has written a flawless book. It does not contain a single false note. Playful and inventive, SCHRODER movingly depicts the ways we confound our own hearts--how even with the best intentions, we fail to love those closest to us as well as we wish we could. Eric Schroder should take his place among the most charismatic and memorable characters in contemporary fiction, and Amity Gaige her place among the most talented and impressive writers working today.

When writing dialogue, I hear it in both Russian and English, and try to find a language that combines the two.

I think every book is a reaction to everything you're written before, and most immediately to the book you wrote just before.

I spent seven years writing The Free World. There are a lot of things I accomplished there that I'm very proud of, but I didn't want to spend another seven years writing a book like that.