I think ex-Soviet or Russian-Jewish women are tougher and that comes through. And if they are more pragmatic than the men, it's because they are obliged to be. They have all the female responsibilities and all the male responsibilities.

When writing dialogue, I hear it in both Russian and English, and try to find a language that combines the two.

When you write a book, you want to have fidelity to the character. Characters and their emotions guide the structure of the novel.

Most people will reach a point where, whatever their ideology, they will relent, or conform, and that keeps them kind of in the general mass of people. And for those who find that they can't, all of sudden they leave the general mass, they find that they become exceptions, and exceptional, and often this makes them public.

Here I am: a Russian-speaking Jew living in Canada, and you, an Indian ex-patriot living in San Francisco. All of a sudden we commune in this moment about a much older Russian political dissident.That's the human part of being human: feeling those moments.

When you write a book, you want to have fidelity to the character. Characters and their emotions guide the structure of the novel. The author is aware that there's a certain amount of information she/he has to provide in order to satisfy the reader, knowing that she/he has set something up that must be paid off, but this payment must be made while maintaining fidelity to the characters.

People everywhere feel differently at different times of their lives.