Rock's always been the devil's music.

I hate albums that are really happy. When I am really happy, I don't like to hear happy albums, and when I am really sad I don't wanna hear happy albums... and I tend to gravitate towards the lonely and isolated anyway when I write.

Tomorrow belongs to those who can hear it coming.

By the mid-'80s, it was really apparent to me that I really needed to stop losing myself in my work and in my addictions. What happens is you just wake up one morning and feel absolutely dead. You can't even drag your soul back into your body. You feel you have negated everything that is wonderful about life. When you have fallen that far, it feels like a miracle when you regain your love of life.

The younger people get into the lyrics in a different way; there's much more of a tactile understanding, which is the way I prefer it.

What I do is I write mainly about very personal and rather lonely feelings, and I explore them in a different way each time. You know, what I do is not terribly intellectual. I'm a pop singer for Christ's sake. As a person, I'm fairly uncomplicated.

I guess a certain contingent of the musicians in London at the beginning of the '70s were fed up with denim and the hippies. And I think we kind of wanted to go somewhere else.