I would like to believe that people knew what they were fighting for and why they wanted a revolution, and exactly what it was within that they didn't like.

There's a taste in my mouth and it's no taste at all.

I don't believe in proper cinema; it doesn't have the strength of television. People having to go out to the cinema is really archaic. I'd much rather sit at home.

It's almost a social grace to get into the art world, and I'm very wary of it. Art was good in Berlin in the late '70s - there was a lot more guts to art when the Neo-Expressionists were starting up; it was real slapdash; it has real heart to it - but it seems so cold and heartless in America. It's a buyer's market.

In fact, everything I do is about the conceptualizing and realization of a piece of work, whether it's the recording or the performance side.

Comfort comes into your house first as guest, then as a host, then finally as the master.

On the other hand, what I like my music to do to me is awaken the ghosts inside of me. Not the demons, you understand, but the ghosts.