Personally, being somewhat envious of Richard's (Thompson) songwriting and guitar playing, it's somewhat satisfying he's not yet achieved household-name status. It serves him right for being so good.

You may say to yourself: "Well, how did I get here?"

Maybe it's naïve, but I would love to believe that once you grow to love some aspect of a culture-its music, for instance -you can never again think of the people of that culture as less than yourself. I would like to believe that if I am deeply moved by a song originating from some place other than my own homeland, then I have in some way shared an experience with the people of that culture. I have been pleasantly contaminated. I can identify in some small way with it and its people.

I've changed my music from time to time so I'm hoping that I can completely change my life from time to time, too. Like live in another land, in another place, and just get completely soaked up in another way of being. Could be in this country or another country, somewhere were you can be reborn a number of times not just creatively, but personally as well. I guess I want to go through life as more than one person.

For years we have been taught not to like things. Finally somebody said it was OK to like things. This was a great relief. It was getting hard to go around not liking everything.

I resent the implication that I'm less of a musician and a worse person for not appreciating certain works.

Living "in" a story, being part of a narrative, is much more satisfying than living without one. I don't always know what narrative it is, because I'm living my life and not always reflecting on it, but as I edit these pages I am aware that I have an urge to see my sometimes random wandering as having a plot, a purpose guided by some underlying story.