More attention should have been given to the fundamental transformation which took place during Queen Victoria's reign, from ruling sovereign to constitutional monarch. Again, gender mattered. If Albert had lived, it seems clear that he would have resisted that development much more tenaciously, which the gradual emasculation (and feminization) of monarchy was probably more easily accomplished when a woman was on the throne.

Scandal, it bears repeating, undermines monarchies, but rarely ends them. It may be true that, according to a recent editorial in the New York Times, the British monarchy now exists primarily 'for our amusement'. But as long as people find it amusing, and want to be amused by it, they will be happy to see it undermined but uneager to kill it off.

Cruel and paradoxical though it undoubtedly is, the record shows that yje most succesful 20th century monarchs have been those who were not actually born to succeed. King George VI was 41 when the abdication of Edward VIII propelled him suddenly and unexpectedly to take up the crown; and Queen Elizabeth II spent her first decade with no inkling thay she herself might one day have to reign. Taken together, these examples suggest that the best preparation for the job of sovereign is not to be prepared for it at all, ir not to be too well prepared for it, or for too long.

Kitty Kelley's method, already perfected in her unauthorised and unflattering biographies of Frank Sinatra and Nancy Reagan, is to write bestsellers that take what she describes as an 'unblinking look' at their subjects - which might, of course, mean that her eyes are permanently open or permanently closed... the result is a work so bad that Britons cannot realise how fortunate they are in being unable to buy it. The great mistake with this book is not that it has been published in Britain, but that it has actually been published anywhere else.

In the early 21st century, it is easy to condemn the Bond books for being racist and imperialist, sexist and misogynist, elitist and sadistic. But this is merely another way of saying that we cannot understand the Bond books without reference to the personality, the outlook and the 'Tory imagination' of the man who wrote them, and to the time in which he wrote them; and that we cannot understand the 1950s and 1960s without some reference to them, and to him.

Vernon Bogdanor's account The Monarchy and the Constitution is written as much in the shadow of Edmund Burke as it is of Walter Bagehot. He stresses the organic development of the British constitution, prefers evolution to revolution, and thinks stability is better than strife.

For all her active goodness, Florence Nightingale herself was far from being the angelic figure of popular adulation: according to Lytton Strachey's Eminent Victorians she was a self-righteous, domineering amazon, who was ruthless in her compassion, merciless in her philantropy, destructive in friendships, obsessional in her list for power, and demonic in her saintliness.