A few years later, when I was still going to these meetings, I was also "second-acting" every Broadway show [walking in with the crowd after intermission]. I snuck in to see Grease with John Travolta in kind of a secondary part and Adrienne Barbeau playing Rizzo, into Pippin, hung out with Ben Vereen and Bob Fosse. It was an amazing time for a teenager.

I learned that there were two ways I could live my life: following my dreams or doing something else. Dreams aren't a matter of chance, but a matter of choice. When I dream, I believe I am rehearsing my future.

If you ever saw All That Jazz [1979], Bob Fosse was kind of raised dancing in strip joints and the whole era of burlesque, and that form ran his visual aesthetic, the pacing and rhythm of what he did.

For me, I was watching Gene Kelly, Fred Astaire, Orson Welles, Victor Fleming movies, and I said, "I want to tell stories like that. I want to move people like that. But I'm good at magic, so what am I going to do?" So I started using magic for the right reasons - to get the girl.

When I started doing magic as a kid, my parents had no problem.

I need a form of escape even when I'm working really hard.

To make [parents] happy, I went to Fordham University for three weeks, while at the same time running ads in Variety, "magician-actor David Copperfield."