Tommy Chong connects to the pipe a lot.
The key is for the audience never to know, so I have a plan B for every illusion.
If you ever saw All That Jazz [1979], Bob Fosse was kind of raised dancing in strip joints and the whole era of burlesque, and that form ran his visual aesthetic, the pacing and rhythm of what he did.
Physical rehab is often very, very hard work.
Magicians lose the opportunity to experience a sense of wonder.
I have always been interested in pushing magic forward.