Magicians lose the opportunity to experience a sense of wonder.

Pippin had an opening number called "Magic to Do," and Jules Fisher, the brilliant lighting designer lit it. Tony Walton did all of the sets. As a kid I thought, "Wow, I'm seeing onstage what a MGM musical would look like live." It was that good, and it was directed by Bob Fosse.

Never stop listening to your audience.

[Producers] took me to Chicago at 18 to star in a show that ran for almost a year. And that's when my parents said, "Okay, I guess you can quit Fordham." Of course, when that show closed, as you can imagine, I came to New York and starved for years, but it's never an easy road.

My job is to make people dream. Of course, there's a lot of technical stuff behind the scenes and a lot of hard work behind it, but I get to watch people see the result of that hard work and feel that wonder and feel that discovery, all the time.

Normally, I do magic on the stage. But I can make magic credible and resonate through a TV screen.

The inspiration for my illusions comes from many places. Most often they come from my dreams, or an everyday occurrence in life.