It's as if, for Schopenhauer and perhaps Kant, the mind is there up and running, equipped with its categories and concepts that it then projects or smears, as it were, over what impinges upon it from the outside. This is not the image you find in, for example, Chuang Tzu: minds and nature are inseparably fused in an ever-changing whole of experience that, so to speak, constantly wells up from an indescribable source in a process that Daoists call 'the way' or 'the course'.

There is something myopic and stunted in focussing only on the meaning of words and sentences. And this myopia is especially unfortunate when combined with a rather abstract view of a language as a set of elements and rules for combining these. For the result is to divorce enquiry into meaning from attention to the way words - and gestures, facial expressions, rituals and so on - are embedded in practices, in what Wittgenstein called 'the stream of life'.

Between nature and music there seems to be an elective affinity: they fit together, and when they do experiences of an ineffable kind are generated.

I think that Asian versions of 'ineffabilism' have an advantage over the best-known Western ones, like Schopenhauer's. They are free from the dualistic image of the world of experience as the joint product of mind and reality.

I rather shared Nietzsche's conception of the kind of individual that an ideal education should be cultivating. 'Authenticity' is not Nietzsche's term, but as used by some existentialists, it nicely captures what Nietzsche admired - the resolve of an individual person to forge his or her own 'table of values', to be emancipated from strait-jacketing conventions, traditions, and ideologies. As embodied in the 'Overman', authenticity is the antidote to 'bad' nihilism.

It's as if, for Schopenhauer and perhaps Kant, the mind is there up and running, equipped with its categories and concepts that it then projects or smears, as it were, over what impinges upon it from the outside. This is not the image you find in, for example, Chuang Tzu: minds and nature are inseparably fused in an ever-changing whole of experience that, so to speak, constantly wells up from an indescribable source in a process that Daoists call 'the way' or 'the course'.

How people make gardens is bound to reflect a way of experiencing the natural world, while at the same time this experience of nature is bound to reflect a culture - ways of painting nature, for example, or representing nature in literature, or of course making gardens.