In all great civilizations, garden discourses have belonged to larger discourses about beauty, the good life, the relation of humankind to nature, and so on.

The demands of the economy, and more recently those of political correctness and the diktat against ever offending anyone, are not conducive to a classroom or university seminar climate in which genuinely free and critical reflection on how to live prospers.

In the doctrine of the world and humankind as 'will to power and nothing else', Heidegger identified not an antidote to nihilism, but the completion of it. For what can be more destructive of truth and value than the doctrine that these are simply the impositions on the world of human exercises of power?

The focus of environmental ethics should indeed be on the virtues and how these inform our relationship to natural environments.

For me, the existentialists are important critics of 'absolutist' claims, and Heidegger and Merleau-Ponty are, at least in their later writings, also exponents of a doctrine of mystery: Being or the 'well-spring' of everything is, for Heidegger, ineffable, just as what Merleau-Ponty called 'Flesh' is for him.

Between nature and music there seems to be an elective affinity: they fit together, and when they do experiences of an ineffable kind are generated.

Like Nietzsche, Heidegger also gave up on the prospect that schools and universities would nurture the kind of reflective openness to the way of things that, certainly by the 1940s, he identified with authentic thinking. The authentic person is not the Promethean, iron-willed figure that pops up in Nietzsche, but someone more like the Daoist sages whom Heidegger admired.