We also have issue oriented storylines which are an examination of an issue, be it ethical or social.

When the stories come easily and the writing process doesn't feel laboring, that's usually a good sign for me.

Chemistry is not anything an executive producer or writer can orchestrate or plan; you just hope for it.

It gets harder and harder to succeed and find audiences with the 500-channel universe, the remote control, and people being so trigger happy with that remote control. It just gets harder to get a foothold.

I've never really told jokes. I'm not good at it.

The designer [...] has a passion for doing something that fits somebody's needs, but that is not just a simple fix. The designer has a dream that goes beyond what exists, rather than fixing what exists. [...] The designer wants to create a solution that fits in a deeper situational or social sense.

One of the most fundamental questions people have about defense attorneys is, 'How can you do that? How can you go to bat everyday for a person that you may not know is guilty but you have a pretty good idea that he's not so innocent?' It's a question that defense attorneys answer for themselves by not addressing.