I thought that the behavioral and some of the profiling stuff was interesting. The thing that I was most interested in, and the thing that we were really adament about, was let's get these guys who were there on tape, or in some kind of way, telling what happened. No one has really talked to them all.

Awards movies are normally sort of... life-affirming and noble. It's probably too much of an intellectual conceit and, you know, people don't like it when you don't lead the bad guy off in cuffs.

My idea of professionalism is probably a lot of people's idea of obsessive.

Take ownership of every decision you make because you will be hold responsible for the film, whether good or bad.

I want to make a movie that has enough impact that it's going to do what it needs to do. But I don't want to make a film that serial killers masturbate to.

In film, we sculpt time, we sculpt behavior and we sculpt light.

Everything seems really simple on paper until you take a camera out of the box.