If you're automatically sure that you know what reality is and who and what is really important - if you want to operate on your default-setting - then you, like me, will not consider possibilities that aren't pointless and annoying.

Most of the writers I know are weird hybrids. There's a strong streak of egomania coupled with extreme shyness. Writing's kind of like exhibitionism in private. And there's also a strange loneliness, and a desire to have some kind of conversation with people, but not a real great ability to do it in person.

The real irony is that the view of infinity as some forbidden zone or road to insanity - which view was very old and powerful and haunted math for 2000+ years - is precisely what Cantor's own work overturned. Saying that infinity drove Cantor mad is sort of like mourning St. George's loss to the dragon: it's not only wrong but insulting.

The severing of an established connection is exponentially more painful than the rejection of an attempted connection.

Rap's conscious response to the poverty and oppression of U.S. blacks is like some hideous parody of sixties black pride.

The lives of most people are small tight pallid and sad, more to be mourned than their deaths. We starve at the banquet: We cannot see that there is a banquet because seeing the banquet requires that we see also ourselves sitting there starving-seeing ourselves clearly, even for a moment, is shattering. We are not dead but asleep, dreaming of ourselves.

I have always tried to avoid talking to pretty girls, because pretty girls have a vicious effect on me in which every part of my brain is shut down except for the part that says unbelievably stupid things and the part that is aware that I am saying unbelievably stupid things.