It is better to develop ideas with friends rather than the usual route of having a great idea and throwing it out into a production, and being surrounded by professionals who've been doing their jobs for years.

I don't let technology and mechanics hinder me from a good time. During one of a film premiere there was a party in the other room; I needed to get to it, so I got out. I escaped. Sometimes you do what you can, you'll turn on your best John Maclean and get to it.

I'm not really worried about people's perception of what I do, or people's analysis of why I make the decisions I make. I wake up every day with a new interest and a desire for an education.

The difference between this film [Your highness] and Pineapple Express was pretty much in the logistics of the technical ambition of the movie, and the size and scope of the movie. Pineapple Express was a great success, and that was something that we wanted to capitalize on, but we wanted this movie to be bigger, more adventuresome, bring a bigger audience to the movie, and challenge ourselves to do something new.

I've always had great independence on everything I've done. Nobody's ever told me not to do anything.

Everybody's got their tools or their instruments, and it's fun to see how people expose themselves to their profession or their profession becomes who they are.

A lot of my best friends are the best person for the job in a film, but sometimes being a filmmaker I'll give a buddy a chance to prove himself. Other times I want to go with a tried-and-true person. It can absolutely cause problems.