All sizes of film sets have the same level of excitement and friction and tension and then vast sections of boredom that define the process, so I love it all.

It's important to continue to change and evolve in the way that the comics change and evolve.

When a horror movie is well done, I love it and I put it up in esteem with any other genre.

I think American Werewolf in London is the greatest werewolf movie of all time.

A vampire is very easy; you just take a very good-looking actor, put some teeth on them, make them pale, and you're there.

I was beating Amanda Lim to death with the tire iron, I accidently hit her in the finger. It was a fake tire iron, but it was run through with metal in the middle and when she looked up after the take, she was crying and it really hurt her and so I felt pretty terrible about that, but they got back at me when I had my big fight with Casey at the end and she just beat the bejesus out of me, being the amazing stuntwoman that she is.

To turn a human being into a part-canine or lupine creature takes a good deal of artistry and money.