Making the films is never easy, but actually that aspect of trying to make a better film or to keep the standard high is something that comes organically.

The films you're making have to be faithful to the material.

Making the films is never easy, but actually that aspect of trying to make a better film or to keep the standard high is something that comes organically.

The truth is, it's very hard looking back... we look at holocaust now with such knowledge and such a sense of the horror of what it was, that it's hard to believe even now that in 1930s and 1940s, before something like this had happened, that it could be impossible to imagine the extent of this horror.

I got a few things, because I think the props are so beautiful as much as anything else. The detail of the work is something that one has no idea of.

I'm interested in making films of all sizes. During this time I've made a film called 'The Boy in the Striped Pajamas', which is a modest-sized film. I was involved in 'I Am Legend' and 'Yes, Man', but 'Potter' is unique. There'll never be anything like 'Potter' again.

The most important thing is that you have to have the visual effects working for you, instead of you working for the visual effects.