[Numbers] made me feel like a real person instead of a guy who shows up for two days on a movie, does some funny stuff, and then doesn't see anybody until the premiere.

I came away from that set [ Hail, Caesar !] super inspired, and like I said, it ruined all future endeavors. I'll never have as good an experience as that.

Obviously [Can't Hardly Wait] wasn't in American Pie, which was a movie about some teenage boys.

It's strange, because Long Island is still New York, but the farther you go out on Long Island, the more creepy it gets.

[Numbers] made me feel like a real person instead of a guy who shows up for two days on a movie, does some funny stuff, and then doesn't see anybody until the premiere.

Everyone that works under the Coen brothers , in every department - makeup, hair, production design, wardrobe, so on and so forth, grip, lighting, tech, everything - they're the best. So to be on a set when you're working with the very best in the industry was a real privilege.

To go to L.A. and be on the Addams Family set? It was beautiful production design and an illustrious set. I'm focused on never losing that sense of privilege. I'm still like, "I'm super lucky."