The rest - all the hoopla, the acclaim - doesn't really matter a lot to Joel and Ethan [Coen]. They just want to get the chance to continue to work. And that blew my mind. To be at that level and to have that humility, it was eye-opening and inspiring.

Obviously [Can't Hardly Wait] wasn't in American Pie, which was a movie about some teenage boys.

[Lauren Ambrose's] character [in Can't Hardly Wait] feels real and unexaggerated and becomes sort of a heroine archetype. I think that was cool. It wasn't in every one of those comedies.

The only lesson I really learned from [Gigi Does It] was that I shouldn't bite off more than I could chew. I've written a bunch of scripts and stuff - every actor has - and that was the first thing that got made.

I got scared away from the whole writing and producing thing, because of how really, truly difficult this was.

After the writers' strike, I came back with my tail between my legs and apologized to everyone. I had been telling them I was going to leave, and I said, "I'm never going to leave," and that I'd stay with them as long as I can. And I really enjoyed the last two and a half seasons of Numbers more than before.

Ghost Team approached me. They said, "Hey, it's mid-October, do you want to go shoot a movie on Long Island for three weeks about stupid people chasing ghosts?" I had never done anything like that before. It's kind of a mock-horror movie. What I didn't realize was the whole thing takes place at night, as a horror movie should, and so I didn't realize that we'd be working until 6 in the morning every night, or morning.