First of all, it was wonderful to have a home. Consistent work when you're a journeyman actor, when you're a character actor, is really hard to come by. When you can get it, you have to cherish every moment of it - cherish the crew, cherish the cast, cherish the stage, cherish everything. Because when it's over, it's really hard to get back.

I would do prosthetics again, but not on a schedule like that [in Gigi Does It]. It was grueling and brutal and it almost killed me. That show almost killed me.

What's great is that because math is such a universal language, really, our fans come in all shapes and sizes, all ages and genders and races and backgrounds and cultures.

So many shows out there dumb-down the country. It's so admirable to be part of a show that wants people to think.

[Lauren Ambrose's] character [in Can't Hardly Wait] feels real and unexaggerated and becomes sort of a heroine archetype. I think that was cool. It wasn't in every one of those comedies.

[Gigi Does It show] flew so drastically under the radar. I kind of hold it in my back pocket as this thing that I got the opportunity to do that no one really knows I did and that I'm really proud of.

Everyone that works under the Coen brothers , in every department - makeup, hair, production design, wardrobe, so on and so forth, grip, lighting, tech, everything - they're the best. So to be on a set when you're working with the very best in the industry was a real privilege.