We had very, very, very little money to make the show [ Gigi Does It]. We shot every episode in two days. It was non-WGA, non-DGA, so we couldn't write anything. The whole thing had to be improv.

I'm sure in less than 10 years there will be several streaming services or whatever you want to call them that are dedicated to retro television, like rare retro television, and maybe we'll end up doing something with that. Maybe Gigi will find popularity there, because it was fun, it was kitschy and very stupid and very dirty. But it had heart. I hope people will watch it one day.

I hope I'm not sitting on a bench in a retirement home talking about what was: "Oh, I worked with this guy and that guy." I hope I'm still doing it for a really long time.

The freedom of knowing that you're doing something off-kilter is liberating.

There's this cornucopia of potential, and it can't be realized until someone works their ass off for it. Even on a Nickelodeon sitcom.

So many shows out there dumb-down the country. It's so admirable to be part of a show that wants people to think.

[the Ghost Team] is an ensemble comedy. It's about people who are searching for meaning in their lives, and they end up doing this stupid thing after they're inspired by one another.