I remember at the time, there were all these teen movies being made. It was this resurgence of John Hughes-esque teen comedies. I was sent a lot of them to audition for, and a lot of them at the time didn't really impress me. I remember I was sent one called East Grand Rapids High, which ended up becoming American Pie, and I didn't like it. Although I think I did audition for it.

First of all, it was wonderful to have a home. Consistent work when you're a journeyman actor, when you're a character actor, is really hard to come by. When you can get it, you have to cherish every moment of it - cherish the crew, cherish the cast, cherish the stage, cherish everything. Because when it's over, it's really hard to get back.

It was so hard [to do Gigi Does It show]. On paper, that formula is almost impossible to create a winning show with, but then you add four and a half hours of prosthetic makeup every morning, three-inch nails, acrylics, the whole thing, and it nearly killed me.

It was a frying-pan-to-the-face moment for me where I had to get humble and really cherish it. I was really sad when [Numbers] was over. I'll just say that. Really sad.

There's this cornucopia of potential, and it can't be realized until someone works their ass off for it. Even on a Nickelodeon sitcom.

What's great is that because math is such a universal language, really, our fans come in all shapes and sizes, all ages and genders and races and backgrounds and cultures.

[Amy Sedaris] probably can't sit still, that type of thing. She's a force to be reckoned with.