I've been with that project [ Sausage Party] since its inception, since they wrote the script. It took them four years to get anyone to make the movie, because it was so filthy and there was this firm belief that there wouldn't be a market for an adult animated film, even though 10 or 15 years prior, South Park [Bigger, Longer, And Uncut] did really well.

The freedom of knowing that you're doing something off-kilter is liberating.

Addams Family blew my mind because it was the first time I was in L.A. and Hollywood, and I grew up a huge fan of movies.

After the writers' strike, I came back with my tail between my legs and apologized to everyone. I had been telling them I was going to leave, and I said, "I'm never going to leave," and that I'd stay with them as long as I can. And I really enjoyed the last two and a half seasons of Numbers more than before.

To go to L.A. and be on the Addams Family set? It was beautiful production design and an illustrious set. I'm focused on never losing that sense of privilege. I'm still like, "I'm super lucky."

I enjoyed working with everyone on the cast [of the Ghost Team]. We knew we were making a pretty weird movie.

What's great is that because math is such a universal language, really, our fans come in all shapes and sizes, all ages and genders and races and backgrounds and cultures.