After the writers' strike, I came back with my tail between my legs and apologized to everyone. I had been telling them I was going to leave, and I said, "I'm never going to leave," and that I'd stay with them as long as I can. And I really enjoyed the last two and a half seasons of Numbers more than before.

I think we all feel lucky, or at least I feel lucky, to get to be in their [Seth Rogen and Evan Goldberg] movies, and I'm not going to lie, I've nudged them.

In this case, I don't know why they [Seth Rogen and Evan Goldberg] thought I would be a good lavash wrap or I would do a good Middle Eastern accent. They just assumed I would. They called one day, and they're like, "They're doing this read-through for Sausage Party, and you're going to play a lavash wrap in it." After I looked up what a lavash wrap was, I was like, "Oh, cool."

We [me and Seth Rogen] have always wanted to work together. That was the whole point. We talked about it actively, and then we finally got the opportunity to do that, over and over again. It's kind of a dream come true.

It looks glamorous and wonderful, but it's a job like any other. And I think that's their humility coming through, Joel [Coen] and Ethan's [Coen] humility. I think they really believe they are tradesmen, craftsmen, and they're just pursuing their trade, their craft, and doing the best they can with it.

It's strange, because Long Island is still New York, but the farther you go out on Long Island, the more creepy it gets.

There's this cornucopia of potential, and it can't be realized until someone works their ass off for it. Even on a Nickelodeon sitcom.