Just as Renaissance artists provided narratives for the era they lived in, so do I. I'm always looking beyond the surface. I've done that ever since I first picked up a camera.

As an artist you have a choice. You can add more confusion and darkness to the world or you can shine a light, make a beauty.

As you are working on ideas, you are in a bubble, working on your images. What's important to me in my work, I like this idea of communicating through a piece of art so works don't have to be exchanged. They're okay and they're helpful but most importantly that the image will convey something in my mind that I was trying to communicate and then you have that connection.

My idea was that if I took a picture of somebody and years later, or whenever, they would die and if someone wanted to know who this person was, they could take one of these pictures and it would tell who the person was.

The minute you point a camera at something, you are manipulating the image, because you are cropping out whatever is to the left and right of it. The minute you put a light on someone, you are manipulating the image.

I am not God. But I can only do my role here on this planet. The role I feel I was given since I was a kid was to be making art and I only wanted to give and I never let money be my God.

Michael [Jackson] had paintings of himself at Neverland depicting himself as a knight and surrounded by cherubs and angels. People might think he's an egomaniac, but he's not. It's because the world turned against him.