You think about, like, [20th-century classical composers] Alban Berg, Schoenberg, and Webern sitting around in some living room in Vienna and being like, "We are the end of music. We are the end of this tradition. Music is done."

I love that, for Kanye [West], there's no difference between the epic and the personal. That makes him sound like a really grandiose douche - which, I don't think anyone, himself included, could contest - but at the same time, it's really amazing. I love the scope of his perfectionism.

There's a certain power in vague language, but I started to get more into the idea of really trying to have a discrete thought in the lyrics and to have songs that were about stuff - to try to make things more coherent.

The idea of letting a recording be a moment in time appealed to me. With digital recording, it's easy to create a perfect text of whatever song you have.

I'm the worst at favourites! I don't have one - I love all my children, I love them all equally.

It's a weird job because making music or writing a song is a personal thing... and it kind of has to be. You can always tell when people are faking.

I think certain people would be moved to be nostalgic about America's glory days, when the music set the tone for the cultural conversation and popular musicians had this absurd level of authority.